by Steven Strong
11 February 2013
Steven Strong is
the newest addition to Wake Up World’s team of
Steve, along with
his son Evan, has co-written four books: Constructing a
New World Map, Mary Magdalene’s Dreaming and Forgotten
Origin (published by University Press of America) and the
He has written over
a dozen articles on Original history and lore for the
National Indigenous Times, with four articles appearing
in New Dawn
With close to 30
years of contact with Gumilaroi people and tribes of the
Bundjalung Language Confederation, and the benefit of
extensive consultation with many Original Elders,
Steve’s work is to reveal the story of the Original
people, a narrative that was almost lost.
For more information visit ForgottenOrigin.com.
Every time we return to the Kariong hieroglyphs walls, my team and I
find more archaeology and information.
From the first time we walked onto
country, this has always been a work in motion; a mystery unraveling
at the behest of the indigenous Elders and spirits of the land. But
even so, what we saw and heard this time was beyond expectation.
The two ‘glyph walls were of no concern to our group on this
occasion; instead, our entire team - from the scientific to the
intuitive - assembled for 4 days of exploration.
We focused on surveying the immediate
area around the ‘glyphs, as well as another location some distance
away - about which we had received some promising reports of similar
We started with the shaft system located near the ‘glyph walls in
The shaft walls are incredibly straight
and artificial in their construction, and there are several large
chambers leading off from the main narrow shaft.
For all the sweat
expended and dirt collected, we captured a series of high resolution
photographs of the inside of the shaft system and began to take its
The metal jewellery that Koa
Elder ‘Aunty’ Minnie Mace
previously found near the back shaft (which she later gave to our
us) was impetus enough for one of the dedicated volunteers,
‘Dreadful Dan,’ to travel 700 kilometers with his professional metal
detector to explore the shaft site properly.
Dan located five metallic objects in the
shaft, the last of which had the whole team excited; it was a piece
of crystal embedded in metal.
Uncle Reuben Kelly, highly respected Dhungutti Elder, tells us:
“Our legends tell us that we came to
this planet on a space ship made of energy. When it hit this
atmosphere, it turned to crystal”… and crashed.
Could it be that we have physical
evidence of the explosion?
The small piece of metal measures 3 cms
(1.2 inches) in diameter, and has a rectangular crystal embedded
within it - which leaves no doubt that the metal was molten when the
crystal was set inside. Extremely high temperatures were part of its
creation, but whatever took place and whenever it occurred, it
certainly wasn’t manufactured by the Original people.
Its proximity to the walls, the other metal objects found nearby,
and the corroborating accounts given by Original Elders of an alien
vessel crashing nearby leave us with three possibilities:
it is either Pleiadian, ancient
Egyptian (running a distant second)… or yet another part of a
devious and highly elaborate hoax.
Whenever our team is grappling with an
issue of ancient Original history, we invariably seek out the advice
of our Original mentors.
The UFO Carving
When approaching the subject with Darkinjung Elder ‘Aunty’ Beve
Spiers, we steered away from the ‘glyphs - which ‘Aunty’ Beve has
always maintained are “not ours” - and their immediate surrounds,
and focused on another newly discovered piece of archaeology; an
engraving that can only be described “extra-terrestrial”.
Photo by Ryan
Mullins, WuW Founder (c)
Created using the ancient Original method of pecking, not carving,
this discovery is clearly thousands of years old.
Notably, it bears a striking resemblance
to the UFO hieroglyphs on the Kariong walls, in particular the
largest five-legged UFO. But this newly found UFO engraving is much
bigger, measuring 352 centimeters (11.5 ft) in height , 190
centimeters (6.2 ft) in width, with the longest of its five legs
reaching 167 centimetres (5.5 ft) in length.
The semi-circular top capsule is 150
centimeters (4.9 ft) from the top of the arc to the bottom line and
is 190 centimeters (6.2 ft) at its widest point.
What is of particular interest is that all UFO ‘glyphs on the
Kariong walls are cut or sharply grooved, and according to Aunty
Beve were not made by Original people. But this old pecked image,
which is a far more intensive and ancient process, was made by the
The only difference this five-legged
craft has to the biggest UFO carved on the ‘glyph wall relates not
to shape, legs or width but height; the newly discovered engraving
shows a craft of two levels or stories, while the UFO ‘glyphs on the
walls all depict one-leveled craft.
So when comparing the
measurements of the two, we must take into account the deliberate
difference in height by doubling the vertical measurement of the
The numbers that result are so...
The new larger UFO pecking is
190 cms across, the smaller vessel is 19 cms wide and if
multiplied by 10 comes out to be exactly the same width as
the larger space ship. A horizontal ratio of 1:10
The bigger capsule is 150 cms
high, while the smaller craft is 7.5 cms. We double the
height to 15 cms for comparison with the 2-story pecking.
When this is multiplied by 10, we have 150 cms; another
identical match match with a 1:20 vertical ratio.
The longest leg of the smaller
UFO ‘glyph is 8.4 cms. As with the recalibration for the
height of the capsule, we must also double this figure to
keep the horizontal lines in proportion. The resulting 16.8
cms is again multiplied by 10 to complete the comparisons,
with a final figure of 168 cms. The longest leg of the newly
found ancient pecking is 167 cms in length; a one centimeter
difference but a near-exact vertical ratio of 1:20. Needless
to say, our team will re-measure the new pecking to ensure
our measurements are 100% accurate, in hopes of confirming
Nevertheless... these three comparative
measurements share exact 1:10 horizontal and 1:20 vertical ratios,
with a combined margin of error of 1 centimeter. The figures
depicted are identical, each with five legs, bulbs at the bottom, an
upper semi-circle and flat base.
Coincidence? Or a genuine example of
After a solid day in scrub, we sat and rested on the verandah at
‘base camp’ and de-briefed.
Still full of questions, we were soon
joined by Aunty Beve, who at that stage knew nothing of what we had
found that day or where. In perfect synchronicity, Aunty Beve
revealed to us the story of star-people coming to this area.
Amazingly, we hadn’t even told her about the UFO pecking yet! And
until now, Aunty Beve had never passed any comment on the topic of
extra-terrestrials. But according to Darkinjung lore, not only did
“they” come, and arrive in distress as Uncle Reuben has advised,
their stricken-craft also crashed “in the waters at Bambara” in a
location that “wasn’t the ocean.”
It instantly struck me! The huge UFO pecking is located on a small
rock shelf more than 20 meters from the shore, overlooking the
Brisbane Waters waterway.
Brisbane Waters Waterway
Aunty Beve paused for a moment, searching her mind for the exact
terminology for the vessel that crashed in the “waters” - the
ancient words which had been passed on to her through countless
Finally - and never did we doubt it
would occur - she recalled how the Elders spoke of this event:
“Carriers from up there, that’s it!”
She also made reference to this area
being the “beginning place”, as she had done before.
But in learning that the “carriers from
up there“ crashed within a few kilometers of the 300 hieroglyphs, we
also learn that extra-terrestrial beings and their craft were an
integral part of the “beginning place” and its story.
Back to the ‘Glyphs
The Original lore corroborates our translation of the first panel on
the ‘glyph wall, which is replete with alien presence, genetic
manipulation and benevolent guidance.
My team and I believe it was at this
“beginning place” and time that the more ancient non-Egyptian
hieroglyphs (which Aunty Beve also spoke of) were first engraved
into rock, documenting the “beginning” - and preceding all other
languages and writings.
So when leafing through segments
Mu/Lemurian expert Jack
soon-to-be-published dictionary of the language of Mu, it was
pleasant - but no surprise - to discover the consistent identical
matches between Jack’s Mu script and the non-Egyptian symbols on the
Kariong walls. Clearly, the two scripts originated from the same
I reflected on a comment made recently by Bundjalung Elder and
Healer Gerry Bostock:
“As on top, so below”.
Then amongst all the similarities was
one stand out; the depiction of a wall ‘glyph that my team has
examined in some detail.
I have always disputed Dr. Hans Dieter von Senff’s
interpretation that this symbol meant “land’s end”, simply because
the “land’s end” symbol has no circle, while the ‘glyph in question
is enclosed by a circle. I examined the meanings of other known
circled and four-armed ‘glyphs, and deduced from context that the
symbol must in fact mean “ancient city”.
And Churchward’s book provides an exact
match for the disputed ‘glyph, which he translates as “Empire of …”
Before continuing I need to pause and clarify.
One of the most strident critiques
offered by academics to rebut the authenticity of the ‘glyphs
relates to the mixtures of styles claimed to be present on the
walls, leading many to claim there is more than one narrative or
My team and I agree unconditionally.
Equally we are just as certain that one of these scribes was an
ancient Egyptian recording the deeds and words of Nefer-Djeseb and
Nefer-Ti-Ru: that is a fact.
When tracing the older testimonial further back in time, it is the
more ancient influence and narrative that leads us off into the
night sky, and to the possibilities it creates.
We place the Pleiadian presence and
genetic manipulation in the highly, highly likely category.
Nevertheless, our extra-terrestrial
conjectures should not obscure the fact that ancient Egyptians
arrived here no later than 4,770 years ago, and finally departed
around 400 years ago.
Our critics invariably take our team to task because of our lack of
degrees in archaeology, anthropology or geology. The truth is that
our work is extremely collaborative. We are working with some very
highly credentialed (and open-minded) academics, who advise on - and
vet - all we report and conclude.
In particular, there have been a number of critical observations
made by contributors from outside our core team.
A recent example came about through a high resolution photograph
from inside the Kariong shaft system, which reveals the clear right
angles and straight edges of what Australian researcher Bob
Clutton claims to be a door-way. Further exploration of the
shaft system will be required to verify this, but Bob’s observation
was a welcome starting point for further examination.
But another recent contribution offers a much more intriguing and
Author and researcher Richard Gabriel
sent us photographs of the shaft walls that have been analyzed,
filtered and enhanced through NC2 software. What emerged was so
graphic and detailed I thought it best to offer no comment until
further consultation with Richard.
One of our other advisers, a man highly versed in ancient Egyptian
script, has opted to remain anonymous for now.
He informed us that our reading of the
newly found set of 13 hieroglyphs was basically correct, but in need
of one revealing addition. Our interpretations of “coffin” and “back
door” were correct, but the symbol beside “back door” - which was
previously unknown to us - represents a “wooden staff”. And not just
any old piece of wood!
A staff, engraved with special symbols
designed to protect the deceased in his journeys in the after-life,
and spells to ward off evil spirits.
Only Egyptian royalty and those directly
related to them were allowed to be buried with such a sacred
talisman, so the likelihood that Nefer-Ti-Ru, the son of the
Pharaoh, was interred somewhere inside the back shaft at Kariong
In our YouTube “Egyptians in Australia Part 2,” (below video) indigenous elder
David Fitzgerald (who formerly worked as a sites advisor for the
National Parks & Wildlife Service) was very specific in declaring
that a protective rock ceiling was there until quite recently, only
falling about 40 years ago.
This explains why a segment of this
original roof still remains over a 3 meters section of the wall-way,
and why the exposed glyphs appear relatively untouched by the
Cements our position on this, I recently received an account of a
meeting that took place in the 1960′s from Ram Ayana, the
editor of the internet magazine “New Illuminati”; an account that
supports David’s claim, and many of our previous conclusions.
All I can say regarding the roof is
that on one occasion when I visited the site back in the 60’s, a
council worker with a hard hat - he would have been around 50
years of age - arrived talking to an older gent who was
searching for the carvings.
The council worker told a story about a bulldozer clearing
garbage that had been dumped in the bush when it went through a
stone slab that partially collapsed into the narrow cave. He
also insisted that the roof was comprised of a number of flat
sandstone slabs that had obviously been deliberately laid in
place, but that those not broken by the dozer were subsequently
broken as well.
He suggested that part of the current rough floor was comprised
of rubble from the roof… Close inspection revealed layer upon
layer of large lichen growths on the slabs, some of which had
grown inside the inscriptions as well.
The account of lichen growth lends
weight to arguments regarding the hieroglyphs’ authenticity.
And the use of the word “cave”
substantiates our belief there was a complete protective barrier
sealing off the engravings, and thus maintaining the original cut
until quite recent times.
And while this is undoubtedly a
second-hand verification of David Fitzgerald’s testimony, it
deserves as much standing as the second-hand account of Alan Dash,
former surveyor for
the Gosford Council.
Of one fact we are convinced, the newly found ‘glyphs were not made
by those who engraved between the walls. The shallower indentation,
much smaller sizing (which we believe to be one third that of the
300 glyphs) and the discovery of a basalt and olivite chisel
directly beneath the 13 hieroglyphs challenges second-hand claims of
‘deranged‘ Europeans, anonymous students or any other unidentified
hoaxer being responsible.
All popular hoax theories are limited to
the ‘glyph walls,' make no reference to other locations… and if they
did, the work involved would discredit any notion of an idle prank.
But I digress…
Of the multitude of star markers in the area, the closest are around
50 meters from the ‘glyph walls.
Found just above the ‘glyph site,' these
astronomical markers were charted by researcher and writer Paul
White and, through the application of astro-cartography software at
Sydney University, were subsequently matched to a 4,500 year old
astronomical chart. The engravings are Original, and mark out the
time when the Egyptian brothers first arrived at Gosford.
But what of the timing of the many other star markers? And more
importantly, why were the Original people so fascinated with the
Three Issues for
The enormous UFO pecking
overlooking Brisbane Waters, the eight UFO ‘glyphs on the
hieroglyph walls, and the masses of other Original
engravings and peckings spread throughout the region - of
which a huge majority served astronomical purposes - raise
three issues deserving of further research.
Why were the Original people fascinated with the stars? The
Elders have told us that the Original people only carved
what they saw, so why were they so insistent on leaving a
visual record of spaceships?
Leaving aside the constant
references to the Pleiades in the Originals’ Seven Sisters
Dreaming stories, there seems no other reasonable answer
other than - their connection to this specific distant
constellation never ceased. Many Original Elders have told
us that their ancestors are Pleiadian.
Could the crash at “Bambara
Waters” be the location where this connection began?
The manner and precision evident
between the walls is not evident anywhere else in the area.
The 13 newly-found ‘glyphs are
much smaller and a shallower cut. Bundjalung Elder Gerry
Bostock assures us the wall ‘glyphs were not chiseled… but
were cut with laser.
Of course, Gerry is aware that
laser technology was neither the province of Original nor
Egyptian humans, and readily acknowledges that these
incisions were made by Pleiadians.
And a test of similar rock
composition leaves us certain the rock would crumble or
shatter if you tried to chisel it with a metal blade.
And then there is the
mathematical precision required to create a proportionally
exact pecking of the UFO ‘glyph - increased by an exact
ratio of 1:10 - in the rock platform overlooking Brisbane
“Experts” and historians claim
the knowledge and tools needed to execute such a precise
replication were not brought to this land until Australia’s
colonization by the English in 1788.
But the UFO image created by the
Originals is clearly thousands of years old.
Viewed in isolation, the
mathematics associated with this pecking could be seen as
purely random, but the repetition of numbers can also be
found at other Original sites.
Leaving Kariong behind… our team had received some promising reports
of archaeology in another region of NSW, so we convoyed onto country
to explore the land.
The first significant site we found was an Original boomerang
engraving site, with not one but two boomerang grooves.
One groove is obviously much older than
the other, and its edges are relatively worn. The other has sharp
and clean edges and was probably used until quite recently.
Interestingly, both ‘sharpening’ grooves measure exactly 53
centimeters from edge to edge.
Not far away is a rock circle carving. It has been pecked and
engraved but has an almost perfect circular lip with a diameter of
17 cms. The edges create a 180 degree vertical drop to a depth of 17
cms. The base is also 17 cms in diameter.
At another site, we saw two examples of sharp and deep incisions
into solid rock; the most striking examples I have seen of a
non-natural rock fracture. The cut runs a sharp straight narrow
vertical line, turns 90 degrees and continues horizontally, then
turns 90 degrees to become vertical again.
The cut measures over 5 meters, and is
too straight, sharp and right-angled to be part of any known
geological process. But until we receive advice from our highly
credentialed geologist collaborator, the photographs of this
possible laser cut rock-face will remain secret.
This is a photograph of the second cut. The edges have clearly
frayed due to erosion, but there is no sign of any fracturing above
The rock itself is leaning forward on
the edge of a steep slope, so gravity should certainly be
encouraging the split to continue.
The cut is at least 15 cms deep but
nothing is apparent on the other side of the rock. Being sandstone,
which is very easily split once a fracture appears, it would seem
the incision has been hardened. and there appears to be some sort of
beveling above the top of the cut which ensures the split doesn’t t
continue up and open up the rock shelf.
It is our opinion both sites contain evidence of an advanced
technology that lends weight to Gerry’s belief that the ‘glyphs at
the Kariong walls were laser-cut.
While working in this region, we also found archaeology of a
distinctively Egyptian motif. Two large engravings of pyramids, one
on a rock platform and the other a rock face. Both are pecked, not
laser- or metal-cut, and one has a rectangle base just like one
glyph at Kariong.
Interestingly, the pyramids engraved
into this location share the same steep angles shown in the carvings
at Kariong; much more severe than those found at Egypt.
The angle of the incline has also been raised to contest the
legitimacy of the engravings.
But if it is really a hoax, and the
angles and shape of both sets of pyramids are almost identical, does
that mean the unnamed hoaxer(s) wandered through the countryside
with chisel and hammer in hand, carving all the incisions and
peckings we have found in NSW?
There are so many questions, coincidences or anomalies! I guess it
is all a matter of perspective, but I can’t help thinking the answer
is hidden in Gerry Bostock’s comment “as on top, so below.”
Later, researcher Gavin Bragg and Wake Up World
founder Ryan Mullins returned from their day’s expedition
into the region’s less welcoming territory… with big news.
They had located a large scale
culmination of something we had already observed near the Kariong
walls; a rock platform of astronomical markers… in immense numbers!
Described by both men as “a map of the universe”, the rock platform
measures approximately 200 meters by 100 meters.
And although our team is still in the
process of photographing and charting out the star markers for
further astronomical analysis, the final count of markers is likely
to be in the thousands.
So many engravings in the one place, all devoted to the stars!
all around NSW and back to the Kariong walls, we find the same
celestial setting repeated. But so far, nothing has come close to
the enormity of locating this astronomical platform. There is no known parallel in this
And this find once again has us looking “on top.”
So where to
As I stated earlier, this work has always been a mystery unraveling
at the behest of the indigenous Elders and spirits of the land.
From the ‘White-fella’ perspective, our work represents one huge
inconvenient truth supplemented by a compelling and intriguing
possibility. The fact is that ancient Egyptians sailed to Australia
seeking mystical wisdom, knowledge of the Original word and
insights, and were not alone in doing so. Many others came, and left
when requested, with one recent tragic exception.
Then there is the ‘what if’!
The evidence of extra-terrestrial
involvement is already strong, and - stay tuned - there is more to
come! It seems extremely likely that the Homo Sapiens/Pleiadian was
created in Australia, and most probably somewhere near Gosford. But
for now we will await further guidance from our Original mentors.
Whatever unfolds, it is apparent that our ancestry is not as we are
lead to believe. I believe we are indeed galactic citizens, and are
obliged to behave accordingly - by seeking the truth of our origins.
As it was in the Dreaming, and will be again.
“As on top, so below”.
We had a big mob involved in our recent expedition.
After a blessing from the land’s
Original custodian, our team of 16 people descended into thick
bush-land in 42 degree heat… real hard work, and all on a volunteer
basis. We found much more than I have described today, including
further proof of an ancient Egyptian presence in Australia (the
evidence count now sits above sixty!)
For more details of our team’s findings,
check out our latest YouTube segment “Egyptians in Australia Part 6”
(below video) as well as our previous updates,
Part 4 &
Other Articles by Steve: 'Re-Writing
Australia’s History - The Egyptian Connection'